Тонкое искусство пофигизма
Chapter 2
IwassimplybidingmytimebeforeIcouldinvesttheproperamountofenergyandeffortintogettingoutthereandmakingmymark.FirstIneededtofinishschool.ThenIneededtomakesomeextramoneytobuygear.ThenIneededtofindenoughfreetimetopractice.ThenIhadtonetworkandplanmyfirstproject.Then...andthennothing.
Despitemyfantasizingaboutthisforoverhalfmylifetime,therealitynevercametofruition.Andittookmealongtimeandalotofstruggletofinallyfigureoutwhy:Ididn’tactuallywantit.
Iwasinlovewiththeresult—theimageofmeonstage,peoplecheering,merockingout,pouringmyheartintowhatIwasplaying—butIwasn’tinlovewiththeprocess.Andbecauseofthat,Ifailedatit.Repeatedly.Hell,Ididn’teventryhardenoughtofailatit.Ihardlytriedatall.Thedailydrudgeryofpracticing,thelogisticsoffindingagroupandrehearsing,thepainoffindinggigsandactuallygettingpeopletoshowupandgiveashit,thebrokenstrings,theblowntubeamp,haulingfortypoundsofgeartoandfromrehearsalswithnocar.It’samountainofadreamandamile-highclimbtothetop.AndwhatittookmealongtimetodiscoveristhatIdidn’tliketoclimbmuch.Ijustlikedtoimaginethesummit.
ThecommonculturalnarrativeswouldtellmethatIsomehowfailedmyself,thatI’maquitteroraloser,thatIjustdidn’t“haveit,”thatIgaveuponmydreamandthatmaybeIletmyselfsuccumbtothepressuresofsociety
