Дюна
Afterword by Brian Herbert
Latein1961,inthemidstofhismonumentaleffort,DadfiredhisliteraryagentLurtonBlassingame,becausehedidn’tfeeltheagentwassupportiveenoughandbecausehecouldn’tbearthethoughtofsendinganymorestoriesintotheNewYorkpublishingindustry,whichhadbeenrejectinghimforyears.
Acoupleofyearslater,whenthenewnovelwasnearlycomplete,hegotbacktogetherwithBlassingameandwentthroughtheordealofrejectionafterrejection—morethantwentyofthem—untilChiltonfinallypickedupthebookandpaidanadvanceof$7,500forit.IfnotforafarsightededitoratChilton,
SterlingLanier,Dunemightneverhavebeenpublished,andworldliteraturewouldbethepoorerforit.
WhenmyfatherandIbecamecloseinmyadulthoodandwebegantowritetogether,hespoketomeoftenoftheimportanceofdetail,ofdensityofwriting.
Astudentofpsychology,heunderstoodthesubconscious,andlikedtosaythatDunecouldbereadonanyofseverallayersthatwerenestedbeneaththeadventurestoryofamessiahonadesertplanet.Ecologyisthemostobviouslayer,butalongsidethatarepolitics,religion,philosophy,history,humanevolution,andevenpoetry.Duneisamarveloustapestryofwords,sounds,andimages.Sometimeshewrotepassagesinpoetryfirst,whichheexpandedandconvertedtoprose,formingsentencesthatincludedelementsoftheoriginalpoems.
Dadtoldmethatyoucouldfollowanyofthenovel’slayersasyoureadit,andthenstartthebookalloveragain,focusingonanentirelydifferentlayer.
