Коллекционер
Chapter 2
Butyouhavetoforceyourselftoacceptthetruth—thatParisisalwaysanescapedownwards(G.P.’swords)—notsayinganythingagainstParis,butyouhavetofaceuptoEnglandandtheapathyoftheenvironment(theseareallG.P.’swordsandideas)andthegreatdeadweightoftheCalibanityofEngland.
AndtherealsaintsarepeoplelikeMooreandSutherlandwhofighttobeEnglishartistsinEngland.LikeConstableandPalmerandBlake.
AnotherthingIsaidtoCalibantheotherday—wewerelisteningtojazz—Isaid,don’tyoudigthis?Andhesaid,inthegarden.Isaidhewassosquarehewashardlycredible.Oh,that,hesaid.
Likerain,endlessdrearyrain.Colour-killing.
I’veforgottentowritedownthebaddreamIhadlastnight.Ialwaysseemtogetthematdawn,it’ssomethingtodowiththestuffinessofthisroomafterI’vebeenlockedinitforanight.(Therelief—whenhecomesandthedoorisopen,andthefanon.I’veaskedhimtoletmegostraightoutandbreathethecellarair,buthealwaysmakesmewaittillI’vehadbreakfast.AsIthinkhemightnotletmehavemyhalf-hourinmidmorningifheletmegooutearlier,Idon’tinsist.)
Thedreamwasthis.I’ddoneapainting.Ican’treallyre-memberwhatitwaslikebutIwasverypleasedwithit.Itwasathome.IwentoutandwhileIwasoutIknewsomethingwaswrong.Ihadtogethome.WhenIrusheduptomyroomMwastheresittingatthepembroketable(Minnywasstandingbythewall—lookingfrightened,IthinkG.P.