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For Esmé with Love and Squalor

           HelivedonthefirstfloorandheusuallycameuptoseeXwhenhehadafewrumorsorgripestounload.Hewasahuge,photogenicyoungmanoftwenty-four.Duringthewar,anationalmagazinehadphotographedhiminHurtgenForest;hehadposed,morethanjustobligingly,withaThanksgivingturkeyineachhand."Yawritin’letters?"heaskedX."It’sspookyinhere,forChrissake."Hepreferredalwaystoenteraroomthathadtheoverheadlighton.

           Xturnedaroundinhischairandaskedhimtocomein,andtobecarefulnottosteponthedog.

           "Thewhat?"

           "Alvin.He’srightunderyourfeet,Clay.How’boutturningonthegoddamlight?"

           Clayfoundtheoverhead-lightswitch,flickediton,thensteppedacrossthepuny,servant’s-sizeroomandsatdownontheedgeofthebed,facinghishost.Hisbrick-redhair,justcombed,wasdrippingwiththeamountofwaterherequiredforsatisfactorygrooming.Acombwithafountain-penclipprotruded,familiarly,fromtheright-handpocketofhisolive-drabshirt.Overtheleft-handpockethewaswearingtheCombatInfantrymen’sBadge(which,technically,hewasn’tauthorizedtowear),theEuropeanTheatreribbon,withfivebronzebattlestarsinit(insteadofalonesilverone,whichwastheequivalentoffivebronzeones),andthepre-PearlHarborserviceribbon.Hesighedheavilyandsaid,"Christalmighty."Itmeantnothing;itwasArmy.Hetookapackofcigarettesfromhisshirtpocket,tappedoneout,thenputawaythepackandrebuttonedthepocketflap.Smoking,helookedvacuouslyaroundtheroom.

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